Showing posts with label TV. Show all posts
Showing posts with label TV. Show all posts

"Lisa, It's Your Birthday"

Every year someone brings up this song, and every year it never fails to make me smile.



As you can probably tell, I've been taking it easy on the blogging this week. I narrowly avoided being sick today by taking yesterday afternoon off and popping loads of chewable vitamin C tablets. Here's hoping this day will be wonderful as it unfolds!
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Eye Candy: Gossip Girl Summer Style

The end of the latest season of Gossip Girl is both a blessing and a curse--a blessing because I have my Monday nights free again and don't have to worry about missing the latest episode, a curse because now I have to wait months until I can find out what will happen next. In the meantime, I can return to the CW website and relive my favourite fashion moments from the show via the photo galleries. The outfit details are so wonderful that I've started keeping a Gossip Girl inspiration folder on my laptop and saving my favourite episode stills for future reference.

For today's post, I thought it might be fun to share some of the spring/summer outfits I saved to my inspiration folder, and what inspirational stuff it is!










Lessons learned from this group of photos:
  1. Nothing is easier or more chic than a dress in the summer. Better yet, make it a dress in white or a floral print.
  2. Headbands add polish to tousled summer locks.
  3. Don't be afraid of pairing statement accessories like wide belts, sashes, and bib necklaces with prints; however, the accessories should draw upon one of the colours in the dress's print to create a unified look.
Which look is your favourite?
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Burning Question


"Fashion face-off: Which of the two top teen dramas has better style--90210 or Gossip Girl?" This was the burning question on an ad for some entertainment news show shortly after the series premiere of the new 90210 aired. Fair question, but I think an added twist would make this topic even more fun:

In a fashion face-off--complete with Zoolander-esque antics--which show would win?

My money's on Gossip Girl. Not only are the outfits sweet eye candy, they do a great job of creating distinctive personalities for the characters. Thanks to costume designer Eric Daman's vision, female GG fans now go shopping and deem a minidress a "very Serena" piece or describe a crested blazer as "very Blair." Dan's beat-up jackets emphasize his Brooklyn roots, especially when contrasted with the dandified ensembles of Nate and Chuck. We can also thank/blame Daman for creating a surge in demand for preppy polished chic--impressive accomplishments from a guy who used to be Patricia Field's assistant on Sex and the City.

As for 90210, the clothes seemed fine but it wasn't anything that I haven't seen before, and nothing stuck out spectacularly in my mind (whereas I can burn through entire episodes of GG just ogling Blair's clothes). It's just that the uniformly California casual look has already been done to death on The OC and MTV, which is perhaps why GG feels so fresh at the moment. In the 90210 series premiere, for instance, rich teen Naomi sported Chanel accessories and short dark nails. It looked good, but it also smacked of Lauren Conrad.

Another advantage working in GG's favour: I think Dan, Nate, and Chuck would have better runway walks in a walk-off, and they'd be able to pull off Blue Steel with more flair.

Who do you think would win, and why?
5

The Return of 90210



Last night, Gossip Girl returned for another season of Upper East Side intrigue, Hamptons eye candy, and pure wardrobe heaven. Will Blair choose her young British lord over Chuck, or will Chuck come in with some grand gesture to sweep her off her feet? Will Serena and Dan stay together through the ups and downs of the school year? What will happen with Nate and his hot housewife girlfriend? I can't wait for the season to unfold.

While the episode was perfectly juicy and I'll probably be glued to the screen on Monday evenings the rest of this fall, I'm also psyched about the two-hour series premiere of the new Beverly Hills 90210. After all, where would shows like Gossip Girl be if predecessors like 90210 hadn't been there to pave the way? 90210 established the "rich attractive teens with dramatic lives" TV genre. Without 90210, there would be no Gossip Girl, The OC, Laguna Beach, or The Hills. Aaron Spelling was onto something when he created his cult classic about privileged teenagers, and years later, we're still watching them but in different incarnations.
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'The Paper' Makes the Grade



Is it just me, or does it seem like nowadays celebrities get famous for the sake of being famous, and then do something somewhat useful with their lives? Apparently, having your own reality show or being a party girl is ample qualification for releasing an album, acting gigs, or designing your own clothing line. Meanwhile, talented artists and designers might struggle for years without a lucky break. The unfairness of it all is enough to make you cry.

MTV has long been a perpetrator in this vicious phenomenon, garnering attention for their reality show stars (e.g. the girls from The Hills, Jessica Simpson after Newlyweds) and providing them a launchpad for subsequent ventures. So imagine what a welcome break The Paper is from the rest of MTV's reality fluff. The Paper chronicles a year in the lives of kids working on an award-winning high school paper. The documentary crew deftly captures the in-fighting and clique-y mentalities that dominate, which makes for good drama on TV.

What impresses me most, however, is that these kids are smart and ambitious, and they know what they want. They put in long hours at the paper before heading home to complete assignments for AP courses. They worry about SAT scores and getting into college, and even whip out calculators to figure out their GPA around report card season. Of all the idiots they could idolize, they actually worship "superteen" Michael Jan, a fellow student and well-rounded overachiever.

The Paper hits closer to home for me than any other MTV show. I didn't go to high school with rich attractive white kids like those on Laguna Beach. I don't lead a lavish life like the ladies of The Hills. Cribs and My Super Sweet 16 depict lifestyles that are so far beyond my reach they might as well be Pluto. But I did go to an alternative high school with an enriched curriculum designed to challenge advanced students, and I do remember the clique mentalities, the competitiveness, and the stress over extracurriculars, transcripts, and university admission letters. The Paper is practically a trip down memory lane--albeit in a parallel universe.

The first season has just ended, but I hope the show picks up where it left off soon. In the meantime, you can catch full episodes online here if you're in the US, or here if you're in Canada.
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My SATC Girls' Night

On Friday night, legions of women across North America dressed to the nines, piled into cabs and cars, ordered endless rounds of cosmos with their dinner, and dutifully lined up and filed into movie theatres for the premiere of the Sex and the City movie. I should know: my girlfriends and I were part of those legions!

I could hardly contain my excitement all day at work and even went to the office dressed as Charlotte York Goldenblatt. Charlotte is probably the most conservative, classic, feminine, tasteful dresser out of the four girls, so her style actually translated pretty well to an office environment. On the way to the kitchen for some coffee, one of my more sartorially smart coworkers (a rare occurrence in a software company, no matter how trendy the neighbourhood its office is located in) gave me a once-over and pronounced me "very summery."

"Thanks," I replied. "I was actually going for Connecticut WASP."

Cue the cracking up, and then even more laughter as I explained who I was supposed to be.

As the day wore on and my SATC enthusiasm spilled over into numerous MSN conversations with guy friends at work, I discovered oddly enough that all the guys had a thing for Charlotte. Even the ones who didn't know the show always remembered "the dark-haired one" and swore up and down that she was the hottest one out of all of them. I guess all four SATC girls look amazing, but Charlotte has the more classically attractive features.

(Me doing my best Charlotte impression at Lucy Mae Brown, the restaurant where we had dinner and drinks.)


Fast forward to 8pm, and it seemed that everyone was fashionably late for our dinner-and-drinks plans at Lucy Mae Brown. Luckily I made it there a bit early and held down the table! Eventually everyone did make it, and we had a brilliant dinner and all sorts of yummy girly drinks (mostly cosmos).

(My friends Lulu and Norma. Aren't they gorgeous?! Look at that hair, and I would kill for their eyelashes.)


(Ali on the far right joined us later. She's a dead-ringer as a younger version of Samantha, isn't she?)




Dinner took longer than we thought, and by the time we left the restaurant and frantically piled into Ali's car for the mad dash to Scotiabank Theatre, it was already past 10 and the show was at 10:40. I had a sinking feeling that we wouldn't be able to get any good seats and would be forced to sit way too close to the screen, especially as we made our way upstairs and saw the line-up of well-dressed, manicured and pedicured girls all waiting for the show.

(The lineup seemed like the perfect time for a group shot.)


The wait wasn't long at all before the theatre employees opened the door and the line surged forward. My theory is that they were being merciful to all us gals tottering on our heels, letting us wait for the movie while sitting down in the comfort of cushy seats rather than killing our feet standing in line. Ali snuck in M&Ms and Skittles, but that wasn't nearly as bad as the women who'd snuck in wine for the show just before ours. Much to my relief, we snagged great seats: mid-way up the theatre, in the balcony section so that MizzJ and I, being the short chicks we were, didn't have to crane our necks over someone else's huge head to see the screen.

(MizzJ and I in our seats, waiting eagerly for the movie to start!)


(We had so much time to kill I even did a "shoe shot." From top left going clockwise: MizzJ, Ali, me.)


Non-fans of SATC won't understand what the hype was all about and would probably think this was a shallow, vapid movie about shallow, vapid women. For the fans who've seen these characters grow through six seasons on the small screen and understand the subtext of much of the plot, the film was the perfect love letter to fans everywhere - just like the one Mr. Big sends Carrie during a pivotal scene. It was well worth the wait.
2

'Make Me a Supermodel' Making Waves

This week marked a pretty exciting week of trashy and terrific TV for me. Aside from the season finales for Ugly Betty, Gossip Girl, and Grey's Anatomy, as well as the return of So You Think You Can Dance, I watched the first episode of Bravo's new reality show, Make Me A Supermodel, which is hosted by Tyson Beckford and Nikki Taylor.

Talent search reality shows that promise to give hidden talent that one lucky break always intrigue me. For one thing, the winners of such shows rarely achieve as much notoriety in their subsequent careers as when they were on the reality show. Sometimes the ones who don't win outshine the ones who do because they had memorable or nasty personalities. In the particular case of model search reality shows, I find it cruelly ironic that these shows all set out to find the next Kate, Tyra, Naomi, or Giselle, the next supermodel to make waves in the industry and become fashion icons when in reality, we're living in the Age of the Celebrity. L'Oreal and Cover Girl's big endorsement deals go to pretty, personable actresses, not professional models. The high-profile ads feature Drew Barrymore, Queen Latifah, Beyonce, Penelope Cruz...the list goes on. Meanwhile, the winners of ANTM get lower profile print ads that run once or twice before they're pulled. The ANTM girls do find work, which is nice, but they disappear into the woodwork after the season ends. I don't think any reality show winners have gone on to achieve bigger things post-show and become bona fide stars in their own right except for Carrie Underwood and Kelly Clarkson from American Idol.

For these reasons, I think the title and premise of Make Me A Supermodel are pretty inflated. Come on, if 10 seasons of ANTM have failed to produce a superstar, how will this show?! What did impress me about the show, however, was the refreshingly straightforward and professional approach of all the parties involved. The first episode showed the casting call and winnowing process. Unlike other shows, they aired mostly segments with the serious contenders and not the bad eggs who show up at the open calls and embarrass themselves terribly (ahem, SYTYCD and Idol), which revealed a classy and respectful approach toward the subjects. Tyson and Nikki, along with a team of booking agents from New York Models, put the candidates through their paces with various screening challenges and made a round of cuts after each challenge to narrow it down to 7 guys and 7 girls. At one point, they made the candidates put on swimsuits and went down the line, scrutinizing each person and making comments about any additional work they had to do (the word "toning" was thrown around a lot).

All in all, I came away from the first episode feeling like it was a breath of fresh air and a nice alternative to the increasingly campy antics of ANTM. However, only time will tell if the winner really does make it big.
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Carrie Bradshaw's Jewelry Looks

Eccentric, inimitable, eclectic...these are all words that can be used to describe Carrie Bradshaw's style on Sex and the City, which is as predictable from one episode to the next as the state of the world economy. Some of her fashion choices can make us gasp in admiration or gawk in disbelief. I'm not even going to try to do a "dress like Carrie Bradshaw" post like I did with Blair Waldorf because there's no way to sum up the wardrobe of an individual who switches looks every time she switches scenes. But in preparation for the release of the SATC movie next month (SQUEEEEE!!!! Can you tell I'm excited?), I'm going to round up some of my favourite Carrie jewelry looks here. Unlike her clothes, Carrie's jewelry choices are surprisingly classic and easy to integrate into an everyday look.


(Carrie's fabulous walk-in closet...I'm drooling!)

Costume pearls. In the episodes "The Agony and the Ex-tacy" and "The Real Me" from Season 4, Carrie is seen wearing multiple strands of costume pearls a la classic Chanel. I couldn't find a picture of her look from those two particular episodes, but rest assured it's not as over the top as the picture in the centre below, or as simple as the one on the right...just somewhere in between. Get the look with multiple strands of costume pearls from accessories meccas like Claire's, Ardene, or Xcetera.





Personalized name necklace. This is probably the most famous jewelry look sported by Carrie over the course of the entire show. I used to work next to a jewelry store that sold the cheap versions of the Carrie necklace, presumably like the one Carrie says she bought at a carnival, but alas by the time I got around to buying one they were sold out of Lisa necklaces. You can get a luxe 14K gold version of the Carrie necklace made to order from Patricia Field Online for $189, or a sterling silver version from http://www.namejewel.com/ for around $30.




Personalized bamboo hoops. This look screams ghetto fabulous. I've already posted about my love of Carrie's earrings here but they're worth mentioning again. The ones from the Patricia Field website are downright exorbitant for a pair of earrings which don't really go with the preppy/posh vibe of most of my clothes, but I spotted non-personalized pairs of gold bamboo hoops at Icing by Claire's which might be nice if you want to dabble with the look.



Oversized gold heart necklace. I love this piece of jewelry, which was featured in multiple looks in the Fleet Week episode where Carrie and co. go gallavanting with sailors in New York. It's bold and classic, fun and feminine. Unfortunately I can't find a picture of the exact necklace and my screen captures from the episodes don't render well. Get the look with this necklace from Coach ($98).



Oversized gold oval locket. Carrie wore this look in the Season 4 opener when the girls prepare for a friend's engagement party. Gold lockets are timeless and as sentimental a piece of jewelry as heart pendants...perfect for a romantic like Carrie. Search your local jewelry stores for a version that suits your taste.



Layered horseshoe necklaces. This was a recurring look in season 4: Carrie would wear cubic zirconia horseshoe necklaces layered on over another, one horseshoe necklace by itself, or two horseshoe necklaces layered with the famous Tiffany floating heart necklace. Order a set of three horseshoe necklaces from Emitations for $89.50 and work the look.


5

Dress Like Blair Waldorf!

A while ago, I did a couple of blog posts about how much I admire the wardrobe of one of the characters on Gossip Girl, Blair Waldorf. According to the show's costume designer Eric Daman, Blair's style can be broken down into these elements:

  • Classic and elegant

  • Audrey Hepburn-inspired

  • Lots of red, white, and navy--"Americana colours"

  • Nautical and preppy staples

  • Bows, pearls, diamonds, and headbands

It seems as though the East coast prep school princess look has caught the imagination of retailers this season as more and more pieces that look like something Blair might wear pop up in stores. Forever 21--that bastion of the uncanny knockoff--has a great selection of demure and preppy pieces in particular. Here are some of my favourites.

Monroe chiffon dress, $29.80. This dress would look smashing with a thick red headband, a simple pearl necklace, and pearl studs or small pearl drops.



Woven wrap dress, $24.80. Blair often sports very chic-looking little black dresses on the show. The ruffles, bow-tie sash, and knee length make this LBD demure, ladylike, and classic. Pair it with textured black tights, black pumps, and a chic updo.



Metallic silk tunic, $19.80. Nautical-inspired with the gold rope and navy shade, this top would look good with a black miniskirt and red tights, or a pair of slim-cut dark denim jeans.



Pleated satin dress, $24.80. Blair Waldorf's clothes are classic but young and fresh, contemporary but never overtly trendy. While Serena seems to like the trapeze neckline tunic-style dresses that are so popular this season, Blair seems to favour A-line dresses more.



Argyle sweater, $24.80. Argyle is a preppy staple. The bright yellow hue and navy diamond lines on this sweater mean it'd go with anything navy.



3/4 striped anchor sweater, $19.80. Classic black and white striped sweater, but the tunic length, 3/4 sleeves, and varying stripe width lend it some freshness. Extra prep points for the crest!

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Eye Candy: All About Blair Waldorf

Readers of my more recent blog entries will know that I've been obsessed with Blair Waldorf's Park Avenue Princess look and her preppy ensembles lately. I love how she manages to look classic, polished, and put-together while still maintaining a young and fresh vibe. Some of her outfits strike a nice balance between preppy and trendy, such as her navy/red/white ensemble with the blue shorts and bright red tights.

Now that the first season of Gossip Girl is winding down and Blair's reign as queen bee has crumbled under the weight of rumours and a pregnancy scare, it seemed an appropriate time to pay homage to her inimitable style via a compilation of my favourite Blair looks from this season. Enjoy!












1

Ethically Derived Diamonds


A couple nights ago, I came across the first installment of what looks like a riveting documentary miniseries on the Knowledge Network called Diamond Road. The series goes around the globe and penetrates various social strata to look at all sides of the diamond trade, from De Beers to the advertising agency behind its successful multimillion dollar campaigns, elite consumers, impoverished diamond miners in Sierra Leone, the Diavik Mine on aboriginal land in the Northwest Territories, to an industry insider fighting to promote "fair trade diamonds."

Thanks to Leonardo DiCaprio's film Blood Diamond, a considerable number of people know about diamonds from mines in conflict zones that are used to fund bloody civil wars. That part of the documentary came as no surprise to me. What did astonish me, however, was how the top tier of diamond traders gain so much and the diamond miners so little. One of the subjects in Diamond Road lives in Sierra Leone and sifts through clay beds daily for diamonds for a wage of about $1 a day. He talks about the hard economic choices he has to make, and prays to God daily for a big diamond that will relieve his financial woes and help him take better care of his family. This is a free man who is a diamond miner of his own accord, unlike Djimon Hounsou's character in Blood Diamond, but his life doesn't seem much better. What's more surprising is his father was a diamond miner before him, and neither know the "true" value of a diamond; they know that it's worth more than what they earn, but exactly how much is a mystery.

The documentary is also very critical of the advertising and marketing hype behind De Beers's "A diamond is forever" campaigns and raises some points I hadn't even considered, such as the contention that every film, image, and song (e.g. Marilyn Monroe singing "Diamonds are a girl's best friend") that depicts a woman receiving diamond jewelry and equates diamonds with eternal love is in essence a savvy product placement strategy on the part of De Beers's advertisers. Behind the scenes at a convention, industry insiders congratulate themselves on being so successful at selling a product that nobody actually needs. When faced with competition in the form of manmade diamonds, De Beers molds the rhetoric around diamonds to roughly equal "He doesn't love you as much if he buys you a 'fake' diamond."

That last part was interesting. I later asked a friend if she cared where a diamond came from--whether it was natural or manmade, from an "ethical" source--if a boy gave her diamonds as a present. Her immediate answer: "I don't care as long as it's gorgeous and expensive." She later reversed her answer as I told her about the documentary. It seems as though there is no way of knowing your diamond jewelry uses ethically derived diamonds unless you make sure you buy Canadian or manmade. (I refuse to call them "artificial" or "fake" as De Beers employees call them, because technically they are real diamonds...same chemical composition and everything. It's misleading and part of the marketing hoopla to denounce them as fake.) I'd be interested to see if the industry insider is successful in implementing fair trade diamonds.

Anyway, it's all very interesting food for thought, and if you have a bit of time on your hands on Tuesday evenings, Diamond Road airs at 10 pm on the Knowledge Network.
2

Eye Candy: Chuck's Wardrobe in 'Pushing Daisies'

I love ABC's new show Pushing Daisies. In case you've never heard of it, don't own a TV, or live under a rock, Pushing Daisies tells the story of Ned, a lonely boy who grows up to be a lonely man and piemaker. Ned discovers at a young age that he can bring the dead back to life with his touch. When he touches something once, it comes back to life; when he touches it again, it dies for good. He has to perform the second touch in the space of a minute, or something nearby dies in its place. He teams up with a private investigator, agreeing to touch murder victims and ask who their murderer was, and then collect and split the reward money. It is through this venture that Ned's childhood sweetheart Charlotte Charles (or "Chuck") comes back into his life: Ned revives Charlotte and lets her live unlike the others. Their relationship provides the show with romance and sweetness.

If you haven't seen Pushing Daisies already, I highly recommend it. The writing is crisp yet whimsical at the same time, and the overall style of the show strikes me as a cross between Roald Dahl and Tim Burton. The sets and costumes are an absolute delight to look at.

What's more, Chuck's wardrobe is adorable. She's often dressed in retro floral prints, bright colours, and dresses with full skirts. Think Crayola combined with the types of outfits in Mona Lisa Smile and a dash of contemporary edge, and you get Chuck's wardrobe. Her look is tailored with a touch of wit and whimsy, and it complements the romantic vibe of her wavy hair and sideswept bangs. Check out these photos for proof.





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